The architecture of the 18th-century Georgian era was rooted in a reverent return to classical antiquity. Inspired by the Renaissance treatises of Andrea Palladio and Inigo Jones, architects such as Lord Burlington, William Kent, and Robert Adam rejected excessive baroque ornamentation in favor of mathematical proportion, axial symmetry, and harmonious column orders.
| Order | Origin | Column Ratio (H:D) | Capital Character | Typical Application |
|---|---|---|---|---|
| Tuscan | Etruscan / Roman | 7 : 1 | Plain ring capital, unadorned frieze | Basement arcades, rural outbuildings, carriage houses. |
| Doric | Ancient Greek | 8 : 1 | Triglyphs and metopes in frieze | Grand monumental entrances, military barracks, courthouses. |
| Ionic | Ionia / Athens | 9 : 1 | Curled scroll volutes and egg-and-dart molding | Libraries, formal dining saloons, civic assembly halls. |
| Corinthian | Classical Greece | 10 : 1 | Acanthus leaves surrounding fluted core | Grand porticoes, royal pavilions, cathedral sanctuariums. |
| Composite | Imperial Roman | 10 : 1 | Hybrid of Ionic volutes and Corinthian acanthus | Palatial ballrooms, triumphal arches, state residences. |